Palabras clave
Vietnam
Indochina
arte
boatpeople
exilio
migración forzosa
refugiados
Indochina
arte
boatpeople
exilio
migración forzosa
refugiados
Cómo citar
Nualart, C. . (2019). Arte como tránsito. Experiencias del éxodo de Vietnam. Revista De Arte Ibero Nierika, (15), 9–21. Recuperado a partir de https://nierika.ibero.mx/index.php/nierika/article/view/525
Resumen
Este artículo explora las poéticas de artistas vietnamitas manifiestas en procesos creativos vinculados a la emigración. Se recorren los tránsitos de un emperador exiliado por las fuerzas colonizadoras, de artistas que en su infancia huyeron de la guerra de Vietnam (boatpeople) y de artistas que abordan el tema de los refugiados desde otras experiencias personales que no incluyen el exilio forzoso. Los casos seleccionados empiezan a finales del siglo XIX y llegan hasta el año 2017. A través de las diversas respuestas a la extranjería, se observa que el proceso de trabajo individual actúa dando sentido a la dislocación vital. Se postula que los métodos artísticos elegidos por cada artista acarrean un significado reparador y relacional que va más allá del que expresan las obras en sí.
Citas
Agamben, Giorgio. Desnudez. Buenos Aires: Adriana Hidalgo Editora, 2011.
Allen, Emma. “Helicopters from Vietnam: A Q&A with Dinh Q. Lê”. Artinfo http://www.blouinartinfo.com/news/story/35073/helicopters-from-vietnam-a-qa-with-dinh-q-l. (Consultado el 29 de junio, 2010).
Bal, Mieke. “Heterochrony in the Act: The Migratory Politics of Time”. En Mieke Bal y Miguel Á. Hernández-Navarro, (eds.). Art and Visibility in Migratory Culture Conflict, Resistance, and Agency. Amsterdam: Rodopi, 2011.
Bishop, Claire. “History Depletes Itself”. Art Forum https://www.artforum.com/print/201507/claire-bishop-54492. (Consultado en septiembre, 2015).
Bui Nhu Huong y Pham Thuong. Vietnamese Contemporary Art 1990-2010. Hanoi: Knowledge Publishing House, 2012.
Bui, Long, “The Refugee Repertoire: Performing and Staging the Postmemories of Violence”. MELUS: Multi-Ethnic Literature of the U.S. 3, 41 (2016): 112-132.
Cotter, Holland. “Acquired Tastes of Asian Art”. The New York Times (2013): C23.
Dabat, Amandine. “L’empereur Hàm Nghi exilé (1871-1944): l’univers d’un artiste”. En Caroline Herbelin, Béatrice Wisniewski y Françoise Dalex (eds.). Arts du Vietnam. Nouvelles approaches. Rennes, Francia: Presses Universitaires de Rennes, 2015.
Dabat, Amandine. “Questionner la notion d’artiste au confluent de deux cultures: Hàm Nghi (1871-1944), roi du Vietnam puis artiste en France”. Actas del Séminaire doctoral commun Paris IV (2012).
Đào Mai Trang. Art & Talent. A foreground on the 8X contemporary artists generation of Vietnam. Hanoi: Đào Mai Trang, 2016.
Doling, Tim. “Emperor Ham Nghi in Exile”. Historic Vietnam http://www.historicvietnam.com/emperor-ham-nghi-in-exile/. (Consultado el 29 agosto, 2016).
Haq, Nav. “The Invisible and the Visible. Identity Politics and the Economy of Reproduction in Art”. En Nataša Petrešin-Bachelez (ed.), Decolonising Museums, 2015. http://www.internationaleonline.org/bookshelves/decolonising_museums21
Lenzi, Iola. Negotiating Home, History and Nation. Two Decades of Contemporary Art in Southeast Asia, 1990-2011. Singapur: Singapore Art Museum, 2011.
Lenzi, Iola. “Looking Out: How Queer Translates in Southeast Asian Contemporary Art”, Intersections: Gender and Sexuality in Asia and the Pacific, 38 (2015). http://intersections.anu.edu.au/issue38/lenzi.html.
Napack, Jonathan. “Vietnam’s Artists Try to Break Free of Their ‘Velvet Prison’”. International Herald Tribune (2005).
Nguyen Quan, Bui Nhu Huong, Nguyen Nhu Huy, Veronika Radulovic y Barbara Barsch. Connect: Vietnamese art scene (Kunstszene Vietnam). Berlin: IFA (Institut für Auslandsbeziehungen), 2010.
Nguyen, Viet Thanh. Race & Resistance: Literature & Politics in Asian America. New York: Oxford University Press, 2002.
Nualart, Cristina, “On Liberty: ingeniería civil colonial y monumentos despedazados”. En Sergio Rubira (ed.). DIDDCC, Madrid: Centro de Arte, 2 de Mayo, 2017.
Sontag, Susan. Ante el dolor de los demás. Madrid: Alfaguara, 2003.
Taylor, Nora. “Make History: Danh Vo in Conversation with Nora Taylor”. Garage, Spring/Summer, (2015).
Troensegaard, Margrethe. “What’s in a Name? Questions for a New Monument”. Stedelijk Studies, 4 (2016).
Taylor, Nora A. “Raindrops on Red Flags: Tran Trong Vu and the Roots of Vietnamese Painting Abroad”. En Jane Bradley Winston y Leakthina Chau-Pech Ollier (eds.), Of Vietnam: Identities in Dialogue. Nueva York: Palgrave, 2001.
Taylor, Nora A. “Running the Earth: Jun Nguyen-Hatsushiba’s Breathing is Free: 12.756.3”. En Saloni Mathur (ed.), The Migrant’s Time: Rethinking Art History and Diaspora. New Haven, Connecticut: Sterling and Francine Clark Art Institute & Yale University Press, 2011.
Taylor, Nora. “Vietnam in Bits and Pieces-Danh Vo and his Fragmented Biography”. Diacritics, 2012. http://diacritics.org/2012/12/vietnam-in-bits-and-pieces-danh-vo-and-his-fragmented-biography/.
Teh, David. “Unframing the Nation: The Moving Image and its Parergon in Southeast Asia”. En Fuyubi Nakamura, Morgan Perkins y Olivier Krischer (eds.), Asia Through Art and Anthropology. Londres: Bloomsbury, 2013.
Thea, Carolee. “Elephants and Helicopters: Dinh Q. Lê”. The Brooklyn Rail, 2010. http://www.brooklynrail.org/2010/09/art/elephants-and-helicopters.
UGVF, “Entretien avec Amandine Dabat: HAM NGHI Empereur en exil, artiste à Alger”. Union Generale des Vietnamiens de France (UGVF). https://toasang-ugvf.org/2018/04/02/entretien-avec-amandine-dabat-ham-nghi-empereur-en-exil-artiste-a-alger/. (Consultado el 2 abril, 2018).
Allen, Emma. “Helicopters from Vietnam: A Q&A with Dinh Q. Lê”. Artinfo http://www.blouinartinfo.com/news/story/35073/helicopters-from-vietnam-a-qa-with-dinh-q-l. (Consultado el 29 de junio, 2010).
Bal, Mieke. “Heterochrony in the Act: The Migratory Politics of Time”. En Mieke Bal y Miguel Á. Hernández-Navarro, (eds.). Art and Visibility in Migratory Culture Conflict, Resistance, and Agency. Amsterdam: Rodopi, 2011.
Bishop, Claire. “History Depletes Itself”. Art Forum https://www.artforum.com/print/201507/claire-bishop-54492. (Consultado en septiembre, 2015).
Bui Nhu Huong y Pham Thuong. Vietnamese Contemporary Art 1990-2010. Hanoi: Knowledge Publishing House, 2012.
Bui, Long, “The Refugee Repertoire: Performing and Staging the Postmemories of Violence”. MELUS: Multi-Ethnic Literature of the U.S. 3, 41 (2016): 112-132.
Cotter, Holland. “Acquired Tastes of Asian Art”. The New York Times (2013): C23.
Dabat, Amandine. “L’empereur Hàm Nghi exilé (1871-1944): l’univers d’un artiste”. En Caroline Herbelin, Béatrice Wisniewski y Françoise Dalex (eds.). Arts du Vietnam. Nouvelles approaches. Rennes, Francia: Presses Universitaires de Rennes, 2015.
Dabat, Amandine. “Questionner la notion d’artiste au confluent de deux cultures: Hàm Nghi (1871-1944), roi du Vietnam puis artiste en France”. Actas del Séminaire doctoral commun Paris IV (2012).
Đào Mai Trang. Art & Talent. A foreground on the 8X contemporary artists generation of Vietnam. Hanoi: Đào Mai Trang, 2016.
Doling, Tim. “Emperor Ham Nghi in Exile”. Historic Vietnam http://www.historicvietnam.com/emperor-ham-nghi-in-exile/. (Consultado el 29 agosto, 2016).
Haq, Nav. “The Invisible and the Visible. Identity Politics and the Economy of Reproduction in Art”. En Nataša Petrešin-Bachelez (ed.), Decolonising Museums, 2015. http://www.internationaleonline.org/bookshelves/decolonising_museums21
Lenzi, Iola. Negotiating Home, History and Nation. Two Decades of Contemporary Art in Southeast Asia, 1990-2011. Singapur: Singapore Art Museum, 2011.
Lenzi, Iola. “Looking Out: How Queer Translates in Southeast Asian Contemporary Art”, Intersections: Gender and Sexuality in Asia and the Pacific, 38 (2015). http://intersections.anu.edu.au/issue38/lenzi.html.
Napack, Jonathan. “Vietnam’s Artists Try to Break Free of Their ‘Velvet Prison’”. International Herald Tribune (2005).
Nguyen Quan, Bui Nhu Huong, Nguyen Nhu Huy, Veronika Radulovic y Barbara Barsch. Connect: Vietnamese art scene (Kunstszene Vietnam). Berlin: IFA (Institut für Auslandsbeziehungen), 2010.
Nguyen, Viet Thanh. Race & Resistance: Literature & Politics in Asian America. New York: Oxford University Press, 2002.
Nualart, Cristina, “On Liberty: ingeniería civil colonial y monumentos despedazados”. En Sergio Rubira (ed.). DIDDCC, Madrid: Centro de Arte, 2 de Mayo, 2017.
Sontag, Susan. Ante el dolor de los demás. Madrid: Alfaguara, 2003.
Taylor, Nora. “Make History: Danh Vo in Conversation with Nora Taylor”. Garage, Spring/Summer, (2015).
Troensegaard, Margrethe. “What’s in a Name? Questions for a New Monument”. Stedelijk Studies, 4 (2016).
Taylor, Nora A. “Raindrops on Red Flags: Tran Trong Vu and the Roots of Vietnamese Painting Abroad”. En Jane Bradley Winston y Leakthina Chau-Pech Ollier (eds.), Of Vietnam: Identities in Dialogue. Nueva York: Palgrave, 2001.
Taylor, Nora A. “Running the Earth: Jun Nguyen-Hatsushiba’s Breathing is Free: 12.756.3”. En Saloni Mathur (ed.), The Migrant’s Time: Rethinking Art History and Diaspora. New Haven, Connecticut: Sterling and Francine Clark Art Institute & Yale University Press, 2011.
Taylor, Nora. “Vietnam in Bits and Pieces-Danh Vo and his Fragmented Biography”. Diacritics, 2012. http://diacritics.org/2012/12/vietnam-in-bits-and-pieces-danh-vo-and-his-fragmented-biography/.
Teh, David. “Unframing the Nation: The Moving Image and its Parergon in Southeast Asia”. En Fuyubi Nakamura, Morgan Perkins y Olivier Krischer (eds.), Asia Through Art and Anthropology. Londres: Bloomsbury, 2013.
Thea, Carolee. “Elephants and Helicopters: Dinh Q. Lê”. The Brooklyn Rail, 2010. http://www.brooklynrail.org/2010/09/art/elephants-and-helicopters.
UGVF, “Entretien avec Amandine Dabat: HAM NGHI Empereur en exil, artiste à Alger”. Union Generale des Vietnamiens de France (UGVF). https://toasang-ugvf.org/2018/04/02/entretien-avec-amandine-dabat-ham-nghi-empereur-en-exil-artiste-a-alger/. (Consultado el 2 abril, 2018).